Tuesday, 21 October 2014

Minutes Meeting Record Sheet


Date of meeting: 20/10/14

Held at: G2

People presents;

- Kira Stokes

-Alice Smith

- Henry Ward

- Jake Matthews

Matters Discussed
Person to take action/discussed by
Date to be Completed
Completed
Filming date changes;
- 21/10/14 - CANCELLED
- 23/10/14 - catch up on filming (scenes that were originally for the 21st
- 29/10/14 - Filming scenes originally for the 23rd
All
24/10/14
 /
Cancellation of filming 21/10/14 9am- 12.20pm
All
 /
Changed final music idea
Henry/ Jake
Tuesday
 /
 Began editing our final trailer 
Alice/ Kira
Tuesday
 /

Filming Record Sheet



Date of meeting: 16/10/14


Held at: Alice's House (Cardington, Bedfordshire)


People presents;


-Alice Smith


- Henry Ward


Absence;


- Jake Matthews


- Kira Stokes


 
Matters Discussed
 
Person to take action/discussed by
 
Date to be Completed
 
Completed
Filming scenes for Sloth and Vanity - actors present;
Beth Deans (Amy)
Alice Smith (Billie)
Henry Ward (Extra)
Camera Work
Location Set Up

Henry
Alice
16/10/14
/


 

Thursday, 16 October 2014

Filming Record Sheet



Date of meeting: 14/10/14


Held at: Kira's House (Blunham, Bedfordshire)


People presents;


- Kira Stokes


-Alice Smith


- Henry Ward


Absence;


- Jake Matthews


 
Matters Discussed
 
Person to take action/discussed by
 
Date to be Completed
 
Completed
Filming scenes for Wrath - actors present;
Henry Ward (Danny)
Kira Stokes (Jackie)
Special Effects Make Up
Camera Work
Location Set Up
Alice Smith
Alice Smith/ Kira Stokes
Kira Stokes
14/10/14
/


 

Thursday, 9 October 2014

Filming schedule

Filming schedule


9th October- Pride Family Scene

Location: School field
Time: 2.00pm
Actors needed: Laura Dunne, Shaun Klopper
Props/ Costume: Digital Camera, Tripod, Yellow Dress, Yellow Ties, White Shirts and Black Trousers.


14th October- Wrath Scene

Location: Kira’s house
Time: 9.00am
Actors needed: Henry Ward, Kira Stokes
Props/ Costume: Kitchen Utensils, Fake Blood, Plates, Knife, Black Shirt, Black dress


16th October- Vanity and Sloth Scene

Location: Alice’s house
Time: 2.00pm
Actors: Beth Deans and Alice Smith
Props/ Costume: Wine bottle, Wine Glass, Food Wrappers, Light Blue Top, Grey Trackies, Purple Top


21st October- Greed and Envy Scene

Location- The Sand Hills
Time: 9.00am
Actors- Ryanna Nodwell, Kira Stokes, Henry Ward and Alice Smith
Props/ Costume: Male Wedding Ring, Photograph, Lighter, Pink Shirt/Tie, Red/Black Dress, Black Dress and Black Hoodie


23rd October- Lust Scene

Location- Joseph’s house
Time: 2.00pm
Actors needed: Joseph Peacock and Sophie Byrne
Props/ Costume: Red Jumper/T-Shirt, Red Dress/Top.


[Henry]

Tuesday, 7 October 2014

Minutes Record Sheet



Date of meeting: 07/10/14


Held at: G2


People present:


- Kira Stokes


-Alice Smith


- Henry Ward


Absence:


- Jake Matthews


Matters Discussed
 
Person to take action/discussed by
 
Date to be Completed
 
Completed
Dates confirmed for filming:
- 9th October: Field
- 14th October: Kira's House
- 16th October: Alice's House
- 21st October: Sand Hills
- 23rd October: Laburnham Road
All
Tuesday
 /
Finalised Name
All
Tuesday
 /
Video Production Shot List
Alice
Friday
 /
 
Costume confirmation for Actors
Henry/ Kira
Tuesday
 /


 

Potential Music Trailer Ideas

The music that accompanies our trailer is important for connoting the mood, especially as we have decided that we will have no dialogue in our whole trailer. As of this, the music will need to take full attention, including all the elements that we want it to have, such as lyrics and a mysterious, yet entertaining, atmosphere.


 I Don't Think About You Anymore But, I Don't Think About You Any Less by Hungry Ghosts

The song connotes the sinister atmosphere that we were looking for; we looked at including music that had a mysterious sound in the background. This has quite a repetitive guitar melody that is very soft and placid before we here a tight string not come in with a motif with a tango influence but still very intense. this is what gives it that sinister edge we were looking for, nothing too dark and nothing too calm. however the song is very repetitive all the we though and does not change, it also has no lyrics and as our piece will have no dialogue we will need some lyrics as complete silence could make the piece sound dull.


Lower Your Eyelids to Die With the Sun by M83

This track was taken from of of the soap opera trailers we analysed from past student exam work "Standalone". The slow start to this song creates a very suspended build to a climax that is quite heart aching and powerful. however, the song is too 'feel-good' and dramatic for our piece as we outline the 7 deadly sins which is quite a sinister subject. Plus the slow start and build lasts for 1 minute which is too long for when we need a climax, and again there are no lyrics in the song which would make our piece again look quite bland.


 I Guess I'm Floating by M83

This is a very slow and calm song, very similar to the previous song due to the same artist being present, however this piece of audio is more atmospheric, drawing the audience in. It has a sound that connotes mystery and suspense, however is more peaceful and calming than the piece of work that we are producing. We can also hear the sound of children playing in the background which can be translated as quite sinister. however, the song is again too repetitive and would not build on our story that we have for our trailer.


Crazy In Love by Beyonce (L'Orchestra Cinematique)


This piece of music is an instrumental cover of Beyonce's Crazy In Love, produced using an orchestra, which connotes authority and wealth in relation to the entertainment value they used to have for the rich in previous decades. This wealth and authority that the song connotes fits out atmosphere perfectly, with characters in our trailer "keeping up appearances", however showing their troubled side. Fitting this type of instrumental structure with a popular contemporary song fit perfectly with our trailer as we see the contrast of the old and new presenting the contrast of trouble, yet high image.


I Wanna Be Yours by Arctic Monkeys


This audio piece connotes mystery and suspicion, an idea that we wanted to produce through our music use. We wanted to include lyrics, which we are glad are used on here, although we don't believe that the lyrics match to what we are producing. The beat is slow, which emphasises the mystery of the piece, as well as connoting suspicion, which we see in the trailer through each character hiding their secret issues; it is hard-hitting and attractive to the young audience, especially as the Arctic Monkeys are huge at the moment.


Female Robbery by The Neighbourhood


Ignoring the beginning which starts with talking, we are thrown in to a heavy beat, immediately making the audience feel enticed to know what the trailer is. The lyrics fit perfectly to what we are demonstrating in our trailer, opening with "I think I found hell", which illustrates our idea of each character fighting their own personal devils. This fits perfectly, although we still enjoy the idea of a new, contemporary song being revamped to connote a mysterious tone, like the 'Crazy In Love' remix.


Say My Name/ Cry me a River by The Neighbourhood (Destiny's Child/ Justin Timberlake cover)

This, like the L'Orchestra cover of Beyonce's 'Crazy In Love', is one of our favourites for the music to pair with our trailer. The change of tone of a popular song connotes a mood that seems mysterious, which intruiges our potential audience members to watch our Soap Opera, as they believe that not everything is as it seems. Using a cover song of a popular hit is a great way of enthusing an atmosphere, especially when the tone of music is so different and a lot slower than the original, and the heavy and slow beat entices our prospective audience to be curious about our soap opera, with the characters and the narrative techniques decided to use, meaning that this music  use would be beneficial for enticing more people to watch our soap opera.


You're The One That I Want by Lo-Fang



[Henry and Kira]

Thursday, 2 October 2014

Fonts

Analysis of sample fonts:


This font was used for the poster sample, and fits in with the background photo. The font is serif and similar to a calligraphic font. When featured in the poster the font was coloured white instead of black, so that it would stand out amongst the dark and dramatic background.
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As a more simplistic font, this utilises the sans-serif design. It is also italicised, which emphasises the effect while still allowing the font to remain subtle and understated.
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While somewhat similar to the above font, it features additions that appear on serif-type fonts. This particular one is akin to that of the font used in Eastenders, due to the traditional style and appearance.
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In contrast to the other fonts, this is in block capital letters which gives a very dramatic effect. It stands out and manages to look loud due to the boldness of the letters. Furthermore, there is a slight shine to the font which gives it a three dimensional effect that further emphasises and aids the boldness. This type of font is an example of what wouldn't be suitable for our soap opera trailer, since it appears too garish. 
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This font also makes use of block capital letters, but the thinner and serif nature of the font makes it more fancy and sophisticated. The swooping edge on the letter ‘s’ compliments the alliteration of the title “Sinner Street”.

[Jake]


Minutes Record Sheet

Date of meeting: 29/09/14
Held at: G2

People presents;
- Kira Stokes
-Alice Smith
- Henry Ward
- Jake Matthews


Matters Discussed


Person to take action/discussed by


Date to be Completed


Completed

Replacement Actors for Ray and Matt


Henry/ Jake

Tuesday

 /

Location Visit Sheet


Alice

Friday

 /

Actors Call Sheet


Kira

Friday

 /

Actors Permission Sheet


Henry

Friday

 /

Actor/ Character Photos


All

Tuesday

/

Music and Name finalised


All

Friday

/